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FEATURE: ERNESTO PAVONE

I must confess a few things before getting started here. One, I have no idea where Ernesto Pavone lives, other than to say he’s in a family-oriented neighborhood of Brooklyn. No, not one of the ones currently being infested by us young culture vultures (Bushwick, Bed-Stuy, Crown Heights); more the kind where few human beings are seen...

By: Brian
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SUSAN GARDNER

There is art in New York that you won’t find in a gallery or museum. Take the F or G train to the Boerum Hill part of Brooklyn and walk down to 108 Wyckoff Street. There you will find the front of a residential building bejeweled with glittering tiles, beads, buttons, pearlescent garlands and an...

By: Brian
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ALESSANDRO KEEGAN

From the view of contemporary art, which revolves around movements and historical groupings, Alessandro Keegan‘s seraphitic paintings belong to the past. Read any review on painting or painters these days and it is sure to include some sort of declaimer on the obsolescence of the medium itself. And yet we keep writing about it. Buyers keep...

By: Brian
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JASON LEINWAND

The current resurgence of psychedelic art in America should give some indication of the socio-political climate these days. In short: there seems no good news for the sobriety of centrism anymore; the left leans ever further left in counter-balance to the extremism on the right. Pop culture remains the reductive index of it all. Jason Leinwand‘s work lands...

By: Brian
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CHRISTIAN MARCLAY

Christian Marclay is a collector. For over four decades now, the California native has used his personal collection of damaged junk to bridge the gap between sound art, assemblage, video, and performance. His latest show—opening at the Paula Cooper Gallery next week—may be Marclay’s loudest yet. The artist is best known for shows in the 1980s...

By: Brian
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