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ANOKA FARUQEE

There is a design element to Anoka Faruqee‘s work that makes it easy to mistake for machine-generated art. Not that it matters. (They’re actually handmade.) Her last show in San Francisco saw the artist dub her work “moire” (after the effect created when two or more offset patterns are overlaid). She splits her time between...

By: Brian
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Matt Marello

FEATURE: MATT MARELLO

Matt Marello’s last exhibition at Pierogi Gallery was in 2012. I wrote then—in an earlier iteration of this website—that it “feels strangely like walking into a temple built to convert punk-rockers and disillusioned aesthetes from oblivion back to self-discovery.” I tried pitching a review of the show to the Village Voice and Juxtapoz magazine, neither...

By: Brian
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ERIC INKALA

This latest wave of street art continues to impact the mainstream gallery system. Once considered untrained illustrators and outsiders, these so-called “street artists” have proven their ability, time and again, to reduce, abstract, and conceptualize with the same alacrity as anyone else in contemporary art. Eric Inkala is emerging as one of today’s top crossover...

By: Brian
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CASSEY KUO

I met Cassey Kuo at the MoCCA Fest this past April, where she shared a table with a handful of other upstarts in the illustration biz. Kuo sold me two square prints, which looked like animation cells from some lost 1950s Disney film, though, in fact, neither were. They weren’t, so says the artist, in service...

By: Brian
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John J. O'Connor: paintings and drawings.

INTERVIEW: JOHN O’CONNOR

John Jerome O’Connor is known as a painter, illustrator, sculptor, and photographer, though the mediums often blend into highly-processed, conceptual works which have made him difficult to pin down. Take O’Connor’s Sunspot series, for instance, from his last show at Pierogi Gallery (November 2013). The artist snapped a series of selfies that captured a variety of moods,...

By: Brian
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BEN SNEAD

At first glance, Ben Snead‘s paintings of fish, frogs, and insects in appealing patterns seem readymade for nature trail guides. His specimens are drawn with the kind of exact hand known to early biology textbooks in the pre-camera era. Snead quickly moves beyond them, however. His patterns recall similar sketches done by M.C. Escher some seventy...

By: Brian
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